Why has Disturbed persevered for over a decade as the entire face of the music industry has shifted and changed, resulting in so many bands they came up with dropping off, and falling by the wayside? Because, through years of countless tours, dedication & sacrifice, and the delivery of four critically acclaimed albums, Disturbed created a very unique fan base, all of which was born with the Sickness. This feature documentary, made with the band’s close collaboration, tracks their amazing story.

I’m Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the documentary follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye

From Academy Award® nominated filmmaker, Charles Ferguson (“No End In Sight”), comes INSIDE JOB, the first film to expose the shocking truth behind the economic crisis of 2008. The global financial meltdown, at a cost of over $20 trillion, resulted in millions of people losing their homes and jobs. Through extensive research and interviews with major financial insiders, politicians and journalists, INSIDE JOB traces the rise of a rogue industry and unveils the corrosive relationships which have corrupted politics, regulation and academia. Narrated by Academy Award® winner Matt Damon, INSIDE JOB was made on location in the United States, Iceland, England, France, Singapore, and China.

Alex Gibney (Enron:The Smartest Guys in the Room, Casino Jack and the United States of Money) delivers a visually arresting look at the crumbling facade of Sumo wrestling and exposes searing and violent truths about this ancient and revered sport. Morgan Spurlock (Super Size Me) offers up a buoyant and revealing angle on the repercussions of baby names. Rachel Grady and Heidi Ewing (Jesus Camp) balance levity and candor with their eye-opening profile of underachieving kids incentivized to learn with cold hard cash. Finally, Eugene Jarecki, who brought us the unforgettably powerful Why We Fight, investigates an unsettling theory to explain why crime rates dramatically dropped in the early 90s. Seth Gordon (The King of Kong) weaves the pieces together with brisk interludes, providing context and commentary from the authors. Freakonomics exposes the hidden side of everything, debunking conventional wisdom, and revealing what answers may come if one just asks the right questions.

Set against the backdrop of today’s headline – 67% of Americans don’t approve of Obama’s economic policies, the film takes a provocative look at our deeply depressed economy using the words and actions of Presidents Reagan and Obama and shows the marked contrast between Reaganomics and Obamanomics. The film contrasts two views of the role that the federal government should play in our daily lives using the words and actions of Ronald Reagan and Barack Obama. Two versions of the American dream now stand in sharp contrast. One views the money you earned as yours and best allocated by you; the other believes that the elite in Washington know how to best allocate your wealth. One champions the traditional American dream, which has played out millions of times through generations of Americans, of improving one’s lot in life and even daring to dream and build big. The other holds that there is no end to the “good” the government can do by taking and spending other peoples’ money in an ever-burgeoning list of programs. The documentary film I Want Your Money exposes the high cost in lost freedom and in lost opportunity to support a Leviathan-like bureaucratic state.

One of the most harrowing and compelling personal documentaries of our time, ENEMIES OF THE PEOPLE exposes for the first time the truth about the Killing Fields and the Khmer Rouge who were behind Cambodia’s genocide. More than simply an inquiry into Cambodia’s experience, however, ENEMIES OF THE PEOPLE is a profound meditation on the nature of good and evil, shedding light on the capacity of some people to do terrible things and for others to forgive them. Winner of a dozen top documentary festival awards, including a Special Jury Prize at Sundance and the Grand Jury Award at the Full Frame Documentary Festival, this is a riveting film that takes audiences as close to witnessing evil as they are ever likely to get. It is also a personal journey into the heart of darkness by journalist/filmmaker Thet Sambath, whose family was wiped out in the Killing Fields, but whose patience and discipline elicits unprecedented on-camera confessions from perpetrators at all levels of the Khmer Rouge hierarchy. This is investigative journalism of the highest order.

Sweethearts of the Prison Rodeo goes behind prison walls to follow convict cowgirls on their journey to the 2007 Oklahoma State Penitentiary Rodeo. In 2006, female inmates were allowed to participate for the first time. In a state with the highest female incarceration rate in the country, these women share common experiences such as broken homes, drug abuse and alienation from their children. From 1940 – 2008, the Oklahoma State Penitentiary held an annual ‘Prison Rodeo’. Part Wild West show and part coliseum-esque spectacle, it was one of the last of its kind – a relic of the American penal system. Prisoners compete on wild-broncs and bucking bulls, risking life-long injuries. For inmates like Danny Liles, a 14-year veteran of the rodeo, the chance to battle livestock offers a brief respite from prison life. Within this strange arena the prisoners become the heroes while the public and guards applaud.

Holy Wars is about two men with two different ideologies, both deeply rooted in fundamentalism – Christianity and Islam. The film follows Aaron Taylor, an evangelical Christian Missionary from the Bible Belt, and Khalid Kelly, an extremist Muslim Irish convert living in London. Both men believe that an apocalypse is inevitable, after which their religion will rule the world. Over the course of tracking their lives from the inception of the “War on Terror” through the election of Barack Obama, one of the men goes to the darkness of uncompromised hate, the other towards the light of a better understanding. Holy Wars is an extraordinary, thought provoking portrait of two radical believers who are transformed by events in our changing world.

Narrated by Kate Winslet, this inspiring film follows one woman’s quest to unlock her autistic son’s mind. Margret, whose ten-year-old son Keli is severely autistic, has tried a number of treatments to help her son. Consumed by an unquenchable thirst for knowledge about this mysterious and complex condition, she travels from her home in Iceland to the United States and Europe, meeting with top autism experts and advocates. She also connects with several other families touched by autism, whose struggles echo her own: the endless doctor visits and experiments with different treatments, the complication of doing everyday tasks, and the inability to communicate – perhaps the most painful and frustrating aspect of autism. But as she comes across innovative new therapies with the potential to break down the walls of autism, Margret finds hope that her son may be able to express himself on a level she never thought possible.

Working over several years in classic verité style Chinese-Canadian filmmaker Lixin Fan (with the producers of the award-winning hit documentary Up the Yangtze) travels with one couple who have embarked on this annual trek for almost two decades. Like so many of China’s rural poor, Changhua and Sugin Zhang left behind their two infant children for grueling factory jobs. Their daughter Qin—now a restless and rebellious teenager—both bitterly resents their absence and longs for her own freedom away from school, much to the utter devastation of her parents. Emotionally engaging and starkly beautiful, Last Train Home’s intimate observation of one fractured family sheds light on the human cost of China’s ascendance as an economic superpower.