Holly Berenson (Katherine Heigl) is an up and coming caterer and Eric Messer (Josh Duhamel) is a promising network sports director. After a disastrous first date, the only thing they have in common is their dislike for each other and their love for their goddaughter, Sophie. But when they suddenly become all Sophie has in the world, Holly and Messer are forced to put their differences aside. Juggling career ambitions and competing social calendars, they’ll have to find some common ground while living under one roof.

Charming, funny and effortlessly cool, Alex (Duris) is a professional heartbreaker who for a fee can turn any husband, fiance or boyfriend into an ex. Alex has one ironclad rule: He only breaks up couples where the woman is unhappy. His latest job will put that rule to the test. The target is Juliette, a beautiful heiress who is set to marry the man of her dreams. With ten days until the wedding, Alex has been hired by her father to carry out his most daring seduction yet that risks him being caught by his ruthless personal creditors, angry exes, and the beautiful and independent Juliette herself. But worst of all, will he discover to his own cost that when it comes to love, the perfect plan doesn’t exist? This fall no one will be able to resist HEARTBREAKER.

Charming, funny and effortlessly cool, Alex (Duris) is a professional heartbreaker who for a fee can turn any husband, fiance or boyfriend into an ex. Alex has one ironclad rule: He only breaks up couples where the woman is unhappy. His latest job will put that rule to the test. The target is Juliette, a beautiful heiress who is set to marry the man of her dreams. With ten days until the wedding, Alex has been hired by her father to carry out his most daring seduction yet that risks him being caught by his ruthless personal creditors, angry exes, and the beautiful and independent Juliette herself. But worst of all, will he discover to his own cost that when it comes to love, the perfect plan doesn’t exist? This fall no one will be able to resist HEARTBREAKER.

Over the course of one raucous night at a seaside wedding seven close friends, all members of a tight, eclectic college clique, reconvene to watch two of their own tie the knot. Laura (Katie Holmes) is maid of honor to Lila (Anna Paquin), her golden girl best friend. The two have long rivaled over the groom, Tom (Josh Duhamel). Friendships and alliances are tested and the love triangle comes to a head the night before the wedding, when the drunken friends frolic in the nearby surf and return to shore… without the groom. Based on the heralded novel by producer, novelist, director Galt Niederhoffer, THE ROMANTICS is a Zeitgeist love story and generational comedy that breathes new life into the genre and recaptures the camaraderie of youth.

JENNIFER ANISTON stars alongside JASON BATEMAN in this offbeat comedy as Kassie, a smart, fun—loving single woman who, despite her neurotic best friend Wally’s (BATEMAN) objections, decides it’s time to have a baby—even if it means doing it by herself… with a little help from a charming sperm donor (PATRICK WILSON). But, unbeknownst to her, Kassie’s plans go awry because of a last—minute switch that isn’t discovered until seven years later when Wally finally gets acquainted with Kassie’s cute—though slightly neurotic—son. From the people behind “Little Miss Sunshine” and “Juno” comes “The Switch,” due in theaters this summer.

After Alfie leaves Helena to pursue his lost youth and a free-spirited call girl named Charmaine (Lucy Punch), Helena abandons rationality and surrenders her life to the loopy advice of a charlatan fortune teller. Unhappy in her marriage, Sally develops a crush on her handsome art gallery owner boss, Greg (Antonio Banderas), while Roy, a novelist nervously awaiting the response to his latest manuscript, becomes moonstruck over Dia (Freida Pinto), a mystery woman who catches his gaze through a nearby window. Despite these characters’ attempts to dodge their problems with pipe dreams and impracticable plans, their efforts lead only to heartache, irrationality, and perilous hot water.

An award-winning audience pleaser at the Toronto and Tribeca Film Festivals, Ruba Nadda’s CAIRO TIME is both a love letter to a city and a sweeping romantic travelogue in the tradition of such films as BRIEF ENCOUNTER and SUMMERTIME. Oscar®-nominee Patricia Clarkson stars as a beautiful American abroad in Egypt, who finds herself enamored by more than the sunswept vistas of Cairo. Juliette (Clarkson), a fashion magazine editor in her 40s, travels to Cairo to meet her husband for a three week vacation. When he is unavoidably delayed, he sends his trusted friend Tareq (Alexander Siddig) to keep her company. As he guides her through the sights, sounds and unique customs of the exotic city, unexpected feelings emerge leading to an awakening of emotion that takes Juliette by

Erin’s (Drew Barrymore) wry wit and unfiltered frankness charm newly single Garrett (Justin Long) over beer, bar trivia and breakfast the next morning. Their chemistry sparks a full-fledged summer fling, but neither expects it to last once Erin heads home to San Francisco and Garrett stays behind for his job in New York City. But when six weeks of romping through the city inadvertently become meaningful, neither is sure they want it to end. And while Garrett’s friends, Box (Jason Sudeikis) and Dan (Charlie Day), joke about his pre-flight calorie-cutting and his full-time relationship with his cell phone, they don’t like losing their best drinking buddy to yet another rocky romance. At the same time, Erin’s high-strung, overprotective married sister, Corrine (Christina Applegate), wants to keep Erin from heading down an all-too-familiar road. But despite the opposite coasts, the nay-saying friends and family, and a few unexpected temptations, the couple just might have found something like love, and with the help of a lot of texting, sexting and late-night phone calls, they might actually go the distance.

A sophisticated and moving comedy from Bob Pulchini and Shari Springer-Berman, the Academy Award nominated writer/directors of American Splendor, THE EXTRA MAN follows Louis Ives (Paul Dano), a lonely dreamer who fancies himself the hero of an F. Scott Fitzgerald novel. When a deeply embarrassing incident forces him to leave his job at an exclusive Princeton prep school, Louis heads to New York City to make a fresh start. He quickly finds a nine-to-five job at an environmental magazine, where he encounters an entrancing, green-obsessed co-worker Mary (Katie Holmes). But it’s Louis’ new home life that really sparks his imagination. He rents a room in the ramshackle apartment of Henry Harrison (Kevin Kline), a penniless, wildly eccentric but brilliant playwright. When Henry’s not dancing alone to obscure music or singing operettas, he’s performing – with great panache – the duties of an “extra man”, a social escort for the wealthy widows of Manhattan high society. These two men, separated in age by more than forty years, develop a volatile mentor/apprentice relationship. Through a series of urban adventures where they encounter everything from a leaping lion to a wildly jealous hirsute neighbor, from drunken nonagenarians to a shady Swiss hunchback, Louis and Henry form a memorable bond that bridges their differences.

With the approach of Christmas causing him to feel lonely in life and love, Robert Malone ((Academy Award Winner Martin Landau) braves the wintery snow to arrive home from his job at the grocery store only to find a stranger (Academy Award Winner Ellen Burstyn) standing in his home. What begins as an odd and awkward encounter quickly blossoms into what appears to be a romantic late life love affair that takes us on a heartfelt and wonderful journey which takes an unexpected turn.